Flash Forward: The Foolscap in Action

Download the Math of Storytelling Infographic

Later on, I’ll go through it in excruciatingly exhaustive line by line detail, but for now  it’s worth looking at the complete Foolscap Global Story Grid for The Silence of the Lambs.  Here it is:

The Foolscap Global Story Grid for The Silence of the Lambs by Thomas Harris

The Foolscap Global Story Grid for The Silence of the Lambs by Thomas Harris


Just as a reminder, to put the Foolscap Global Story Grid in context, this one-pager gives the editor/writer the 30,000 foot view of the Story.  It’s the MACRO STORY. It’s a wonderful way of making sure that the big picture is clear.

It is ONE of TWO indispensable documents necessary to create the final STORY GRID infographic, this fun thing below:

The Story Grid for The Silence of the Lambs

The Story Grid for The Silence of the Lambs


The second document that you will need to create is The Story Grid Spreadsheet. I will walk you through how to do that in a few weeks.  The Story Grid Spreadsheet is a multi-pager that will give you the MICRO STORY.

But before we get into creating yet another grid that we will combine with the Foolscap Global Story Grid to create an infographic that we can stick on a wall and contemplate to our hearts content (Are you completely lost yet?), in the next series of posts, I’ll review the principles of UNIVERSAL STORY FORM (inciting incident, progressive complications, crisis, climax and resolution).

All of this stuff may seem complicated, but it’s really just a process in analyzing the MACRO movements of a Story, and then analyzing the MICRO movements of a Story, and then combining the MICRO and MACRO into a visual representation of how writers create art.

When we finish the editorial process, we’ll know exactly where (which scene, page, paragraph etc.) a writer satisfied the conventions and obligatory scenes of his/her chosen genre/s and a myriad of other bits of information that reveal the specific judgements and choices the writer made.

Knowing how Thomas Harris solved the “Macguffin” or “Hero at the Mercy of the Villain Scene” will inspire us in our own work. It just will.

Diving deeply into the great works of our beloved genre/s and coming up for air after we’ve created Story Grids to remind us of the craftsmanship of the writers who created them will prove immeasurably helpful when we set out to create our own works. And it will also give us a common language.

The more writers who take the time to learn how to Edit, the greater the ease we’ll have talking shop. There won’t be any more murky “suggestions” about “making your character more likable” or “adding more colors to your subtext.” No more Bullshit peer review of our work without our peers having a grounded understanding of the craft in the art.

Instead, one day, I hope that a frustrated writer of sea stories battling the coup de grace crisis in her ENDING PAYOFF will be able to send a single email to a group of her pals like this:

“What was the final external crisis in the ENDING PAYOFF of MOBY DICK?”

and get an answer like this:

“Best Bad Choice: Ahab must decide whether to let go of the harpoon rope attached to MD and save himself or hang on as the beast dives down into the depths and assures Ahab’s briny death.”

That’s how Melville solved the external crisis in his ending payoff.  Placing yourself in his creative shoes regardless of the commercial results (MD was a commercial bomb in his lifetime, but a masterpiece today) is inspiring.  Just knowing that Melville must have been tormented by the same story dilemmas we are is comforting.

Anyway, I know this stuff can get very “inside baseball.”  When it does, take a deep breath and remember that there are two ways an editor looks at a Story, MACRO (big picture Foolscap) and MICRO (minutiae of Story Grid spreadsheet).  Once he has a grasp of both, the editor’s complete vision/interpretation of a work is represented by his STORY GRID.

Next up is a review of Story Form…a great way of recharging our batteries before all of that MICRO stuff.

For new subscribers and OCD Story nerds like myself, all of The Story Grid posts are now in order on the right hand side column of the home page beneath the subscription shout-out.


Download the Math of Storytelling Infographic

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About the Author

SHAWN COYNE created, developed, and expanded the story analysis and problem-solving methodology The Story Grid throughout his quarter-century-plus book publishing career. A seasoned story editor, book publisher and ghostwriter, Coyne has also co-authored The Ones Who Hit the Hardest: The Steelers, The Cowboys, the '70s and the Fight For America's Soul with Chad Millman and Cognitive Dominance: A Brain Surgeon's Quest to Out-Think Fear with Mark McLaughlin, M.D. With his friend and editorial client Steven Pressfield, Coyne runs Black Irish Entertainment LLC, publisher of the cult classic book The War of Art. With his friend and editorial client Tim Grahl, Coyne oversees the Story Grid Universe, LLC, which includes Story Grid University and Story Grid Publishing.
Story Grid 101: The Five First Principles of the Story Grid Methodology
by Shawn Coyne
What are the first principles in writing a story that works? At Story Grid, it’s easy to get distracted by the tools, spreadsheets, commandments, macro lense, micro lense, and on... Read more »
Paperback: $19.99
Ebook: $0
Audiobook: $14.99
Author Shawn Coyne


Mary Doyle says:

Okay, Shawn, I’m taking deep breaths. Excruciatingly exhaustive line-by-line detail? Bring it on – I can’t wait!

Joel D Canfield says:

Talking to other fans, inside baseball is fine with me.

We just won’t geek out when we’re telling our readers how easy it was to write our latest bestseller.

Alex Cespedes says:

This will keep me busy for a little while, but also looking forward to the spreadsheet. Every post makes the process a tad bit clearer.

Michael Beverly says:

I’m glad I didn’t start reading this blog months ago, because, well, I’m Netflix bring it all out at once kind of guy. Ugggg, now I can’t wait for the rest.

Meanwhile, back at the ranch, I’m using what I’ve got to practice.

What’s interesting to me is if I really know ahead of time where I’m going, writing 2-3K words in a few hours is cake, and fun.

Thanks, Shawn.

Akili King says:

Shawn…thank you for being a great coach and providing this awesome framework….back to the soup…

Elise M. Stone says:

Just wanted to drop you a note about how useful I’m finding this series. I wish the book was out so I could buy it NOW.

Madeleine D'Este says:

I discovered the Story Grid through the Creative Penn podcast this week and I’ve been blown away ever since. I’m equal parts scared by the intellectual challenge, excited by improving my skills. Whilst I’ve read and used The Hero’s Journey, up til now I’m been mainly relying on my own gut feel from absorbing decades of storytelling in books, films and telly. I’m trying out the foolscap method with a work in progress manuscript and already spotting the flaws and hints for how to improve. Thanks Shawn, looking forward to the book!

Tina Goodman says:

I’m not quite caught up to date with your posts, but I’m going strong. Thank you so much for all you have given us!


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The Book

Is this your first crack at writing and finishing your book? Are you lost on how to tackle this project? This is the place to start.

First Time Writer

Is this your first crack at writing and finishing your book? Are you lost on how to tackle this project? This is the place to start.


Is this your first crack at writing and finishing your book? Are you lost on how to tackle this project? This is the place to start.